DCP-J1016-01
£668.00 GBP £960.00 GBP
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The Bramden Pendant Lamp started from the heavy stone mortars in old Italian farmhouse kitchens, the round bowls used to pound garlic, herbs and salt. After washing they were turned upside down on the shelf to dry, with the worn wooden pestle lying beside them, and the open, pitted stone showed every year of use. We lifted that upturned bowl off the shelf and hung it from the ceiling, kept the rough stone, and gave it a small wooden cap where the pestle used to rest.
Each shade is cut from natural travertine. Its veining, color and open pores differ on every shade, so on the 2-light and 3-light versions the shades will not match exactly.
| Option | Measurement |
|---|---|
| Each Shade | Dia 40cm x H 28cm / Ø 15.7″ x H 11″ |
| Single | 1 shade · Canopy Dia 12cm / Ø 4.7″ |
| 2-Light | Overall W 95cm / 37.4″ · Canopy L 70cm / 27.6″ · shades 55cm / 21.7″ apart |
| 3-Light | Overall W 150cm / 59″ · Canopy L 125cm / 49.2″ · shades 55cm / 21.7″ apart |
| Cord | 150cm / 59″ per shade, adjustable |
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Travertine Collection — Natural Stone Series
Hand-finished from a single piece of natural stone.
Each lamp carries the grain, pores, and quiet variations of the stone it was cut from. Warm to look at, solid to the touch, and lit from within.
Shop the CollectionTravertine forms over millennia as mineral-rich spring water layers into solid stone. No two sections look alike — each piece carries its own trace of pores, veins, and color drift. The irregularities you see aren't imperfections. They're the stone's fingerprint.
A growing number of US homes are swapping cold metal and glossy finishes for materials with real presence. Here's what makes this stone hold up to that shift — and why it holds up in a room.
Every piece carries its own pattern of pores, veins, and soft color shifts. Shaped over millennia — not printed, not stamped. The lamp on your table is, by nature, unique.
Natural cream, sand, and honey hues that read warm in any light — from morning sun to the last lamp-lit hour of the evening. The color the stone brings to the room doesn't read dated five years later.
You feel it the moment you pick one up. Solid in the hand, grounded on the table. Nothing hollow, nothing plastic trying to imitate the surface of something it isn't.
Travertine softens beautifully with time. A lamp today, a piece that looks even better in ten years. The kind of purchase that earns its price instead of dating itself.
"Every lamp is cut from a single block of natural travertine, then hand-finished until the surface is smooth to the touch but still honest about what it is — real stone, not composite, not resin."
Each room has a spot that changes when a piece of stone lands in it. Three placements we keep seeing work.
Warm light through stone feels different — softer, slower. The kind of light people stay under longer.
Replace the cold overhead. The room quiets, mornings start gentler.
Furniture-adjacent presence without crowding the space.
A diffused, honey-toned glow — softened once by the shade, and again by the stone around it.
Nightstands, consoles, office corners — ambient light with a grounding footprint.
Shop → 02 Floor LampsTall presence in a living room corner — reading light without the glare.
Shop → 03 PendantsDining tables, kitchen islands, stairwell focal points — warm light from above, weighted in stone.
Shop → 04 Wall SconcesHallways, bathrooms, bedroom flanks — a soft wash of light without a ceiling fixture.
Shop → 05 Ceiling & ChandeliersStatement overhead pieces — grounded, architectural, the anchor of a larger room.
Shop →The three pieces we'd hand to a friend first — chosen for proportion, glow quality, and the kind of stone that makes a difference in the room.
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