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The Mireston Flush Mount Ceiling Light started from the small travertine fountains in Roman courtyards, a shallow round basin of pale, pitted stone holding a still pool of water. Look into one at midday and the water is a flat disc of white light inside a thin ring of stone. We turned that basin upside down and put it on the ceiling: a wide, shallow disc of travertine on the outside, and a soft dome of white glass in the middle where the water used to catch the light.
The disc is cut from natural travertine. Its color and open pores differ on every piece, so no two lights look exactly the same.
| Part | Measurement |
|---|---|
| Overall | Dia 25cm x H 11cm / Ø 9.8″ x H 4.3″ |
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Travertine Collection — Natural Stone Series
Hand-finished from a single piece of natural stone.
Each lamp carries the grain, pores, and quiet variations of the stone it was cut from. Warm to look at, solid to the touch, and lit from within.
Shop the CollectionTravertine forms over millennia as mineral-rich spring water layers into solid stone. No two sections look alike — each piece carries its own trace of pores, veins, and color drift. The irregularities you see aren't imperfections. They're the stone's fingerprint.
A growing number of US homes are swapping cold metal and glossy finishes for materials with real presence. Here's what makes this stone hold up to that shift — and why it holds up in a room.
Every piece carries its own pattern of pores, veins, and soft color shifts. Shaped over millennia — not printed, not stamped. The lamp on your table is, by nature, unique.
Natural cream, sand, and honey hues that read warm in any light — from morning sun to the last lamp-lit hour of the evening. The color the stone brings to the room doesn't read dated five years later.
You feel it the moment you pick one up. Solid in the hand, grounded on the table. Nothing hollow, nothing plastic trying to imitate the surface of something it isn't.
Travertine softens beautifully with time. A lamp today, a piece that looks even better in ten years. The kind of purchase that earns its price instead of dating itself.
"Every lamp is cut from a single block of natural travertine, then hand-finished until the surface is smooth to the touch but still honest about what it is — real stone, not composite, not resin."
Each room has a spot that changes when a piece of stone lands in it. Three placements we keep seeing work.
Warm light through stone feels different — softer, slower. The kind of light people stay under longer.
Replace the cold overhead. The room quiets, mornings start gentler.
Furniture-adjacent presence without crowding the space.
A diffused, honey-toned glow — softened once by the shade, and again by the stone around it.
Nightstands, consoles, office corners — ambient light with a grounding footprint.
Shop → 02 Floor LampsTall presence in a living room corner — reading light without the glare.
Shop → 03 PendantsDining tables, kitchen islands, stairwell focal points — warm light from above, weighted in stone.
Shop → 04 Wall SconcesHallways, bathrooms, bedroom flanks — a soft wash of light without a ceiling fixture.
Shop → 05 Ceiling & ChandeliersStatement overhead pieces — grounded, architectural, the anchor of a larger room.
Shop →The three pieces we'd hand to a friend first — chosen for proportion, glow quality, and the kind of stone that makes a difference in the room.
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